Most impressive, however, is Farahani's lead performance. Though often pitiable, the heroine never registers as a martyr or a victim, but a relatable, multifaceted human being.. The bare room where the husband lies helpless becomes a confessional where Farahani pours out the woman's life story in a performance that grabs you with its quiet yet searing power.. Writer-director Martin Koolhoven hits just the right balance of domesticity and oppression here, setting up the film's tense second half w...
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