Can't easily be dismissed or forgotten.. There's never much risk of reality intruding--just a lot of histrionic James Horner music nd plenty of designer stubble on the soldiers' faces.. The film is way too big for the story.. The film, directed by Jean-Jacques Annaud, doesn't stint on mud, corpses, or rubble, but the focus is all screwed-up.. It's remarkable.. It's this human understanding of an inhuman conflict that gives Enemy At The Gates so much power, despite its defects.. It's as if an obs...
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